Dissociated // [Part 1]

1.

I don’t know how to start writing about death. This will be the second sentence. The white butterflies are still following me. I look at my hands sometimes and I can’t believe I’m real. I can’t believe I haven’t collapsed through time yet. I can’t believe I haven’t broken time yet.

I think I’m going to very soon.

2.


The cherry blossoms ripened. So did the magnolias. Spring, like a crush, arrived in slow bursts, rocking back and forth in unpredictability. Some days were misleadingly warm, as if summer had already seeped into April—the hot heartbeat of the sun pulsed against our lifeless skin, its bright glint shot off skyscraper windows and angled its way into half-squinting eyes trying to hide below cupped hands. Pale-pink roses transformed into cardinal fires on unsuspecting faces, and I became momentarily familiar.

And then I wasn’t anymore.

3.


The tail-end of August retreated slowly, hesitantly, one skipped step at a time. In its place, the chills creeped in, filling up the space around me with more discontent. And then, all at once, the free-fall of Fall swallowed me whole, and I felt so lost in the in-between that I wished it was July again so I could be toppled by heat rather than be aimless in air, looking for something to hold onto because not even I could hold myself down anymore.

The breeze bristled against my legs so I pulled up my skirt like strings on a marionette. I was sitting on the patio chair, watching the leaves on their vines—like two delicate hands coming together to pinch a marble—crawl up the brick wall, while my grandma asked me the same question for the third time but in a slightly different way. I smiled at her and gave her the same answer again. But I kept doing it: I kept retreating into my head, writing down the present as it was happening because I still couldn’t let myself experience it with my body. The patio was empty, we were the only ones there, and somehow none of it felt real. My life no longer felt real, and it hadn’t for nearly a year. I was locked in a permanent drift, left to wonder if I’d ever get out.

It hurt when she didn’t recognize me, but only a little (a lie). I had somehow somewhat made peace with the fact that my life was never going to be static, that every day was a new, untraveled reality I’d only have twenty-fours hours to get used to before moving into a new one the next day. But my grandma didn’t recognize me anymore and I realized that my grandma died over a year ago, if not a long time ago, and what was left of her was a shadow, much like me.

It’s September.

Cold again.

Wet.

I think I’m losing my mind, only this keeps happening all the time.

Summer passed by in a blink. I hardly noticed the days stacking up against me because I was too preoccupied with the past to notice the future getting away. July was a blur of hospital visits, nurses and EMTs, medications my grandma refused to take, calls to insurance companies, telling doctors and nurses “We missed you so much!” three times in a week after they asked “Didn’t we just see you a few days ago?”, recurring visits to social security offices, building management cutting me a thousand dollars worth of slack because I’m “so kind”, sweat-soaked and disembodied walks from Bay Ridge to Brighton Beach, a small handful of hours of sleep on a fifteen-year old couch, and my grandma questioning who I was in relation to her.

“Why didn’t you tell me you’re my relative?,” she asked one night as she sat on the edge of the same bed we used to share when I was a kid. I thought 26 years of life together was enough proof of our relation, but I was wrong. 26 years doesn’t mean anything. She and I cried.

That July, I watched my grandma disappear further behind the veil in her mind while I was trying to escape from out behind mine.

In August, I stretched myself into two people.

And now in September, I think I’m disappearing.

A year passes by but I only remember pieces of it, if I’m lucky.

It’s the following September and I am coming apart.

So I disappear again.

And now it’s the second day of October and we’re at the cemetery.

4.

The cemetery is different. It’s the second day of October and there is something missing—a surprising absence of heaviness, longing. For now, at least. I expect despair to pull my body toward her gravestone and then wrap itself around me, bounding me to all the feelings I’ve been suppressing for decades, like her death and my inability to accept its reality—and every other waking reality as well. Instead, the sun is alive and I am nauseous from the drive.

I walk toward her gravestone, remarking, “There’s too many dead people here,” to no one but myself. And then I laugh like a guest in my own conversation because, in a way, I always am. My grandpa and dad chatter nearby as I drift across the grass, feet hardly touching the ground. My last name, engraved into stone, stares at me like a calling card. ‘That’s mine,’ I say to myself. That’s my last name. At least, that’s the last name I was given. But what makes it mine? What ties me to this name? What ties me to me?

On some level, it feels more like my last name than it has in a while, but there is still a sense of distance, both physically and emotionally, as if the name isn’t real. As if I’m not real.

Because I’m not.

I don’t know what it’s like to miss someone because I am constantly carrying everyone inside of me while I float outside my body wondering when I’ll finally be able to get back inside. But, really, I don’t know what it’s like to miss people because I don’t allow myself to. I can’t. I am so removed from myself that I don’t know how most things really feel like, not even love. So, I move forward in life as if everything is what it is—and the pains accrue like a long-cape that gets heavier with each passing year. The ribbon, tied at the base of my neck, digs into my skin, an indentation growing deeper and deeper until my neck is whittled down to an hourglass, until the only thing I can do is what I’ve done for over twenty years: hold my breath. When I was 17, my mom said, “I can’t breathe,” and I didn’t know what she meant because I thought I had been breathing my whole life. Only I wasn’t. I know that now.

October is still, but there are rumbling echoes in the faraway distance trying to let me know that I am missing or, rather, avoiding something. So I do just that: I avoid the echoes until they get closer. They start standing like mourners in the rows of gravestones behind me, hands clasped and heads down, whistling like a sudden breeze. Every time I hear them, I turn around, expecting to see shadows looking at me, but all I get is the familiar aftertaste of having missed something. Something was there, but I have nothing tangible to point to so I turn back around to face her gravestone. The momentary distraction of the echoes allows me to ignore the sadness in my throat and the grief beneath the mask of my face. It allows me to keep ignoring that I have not accepted most things for most of my life; instead, I left my body, and in the parallel realities that I exist in, I allowed bad things to happen because that’s what I believed I deserved. Acceptance was familiar finality, but I also preferred the illusion my parallel realities afforded me instead: nothing is real, this is all a dream, and I’m the creator and destroyer of it all.

Still, I get no sense of my grandma in the cemetery, though the gravestone holds heavy in front of me. I don’t know whether I should be happy that my grandma is no longer present or sad that I can no longer reach her the way I did last year in this same exact spot. Last year, she passed through and around me like a rush. This year, nothing happens. And I have nothing to say, which is a lie because I always have something to say, but I also don’t know what to say. What can I say? Nothing. So I sit and run my fingers against a strand of grass, and I hope I can pull myself back down to Earth sometime soon.

When we start walking back to the car, a bee lands on my left shoulder and starts crawling toward my neck. I rush to take a photo, but by the time the camera loads, the bee flies away. I stare in awe, wondering how, even when I’m far from home, the bees are still following me, too.

Later, Cassie tells me that “bees are considered messengers between here and the afterlife,” and it takes me three days to understand what she meant by that, the answer staring me in the face the way the gravestone did.

5.

The second day of October was fairly bright and sunny, almost like last July but less intense, its flatness more pronounced. Last July, it was beautiful how the sun streamed through the trees, how it cast a hushed-yellow glow over the small rolling hills. Something better could come. Americana, or whatever. Last July, standing in the cemetery, looking over the hills, I wanted to be at a barbecue. I wanted the smell of cigarette smoke to snake through the air and lift me up by my nostrils, limbs loose and body light. I wanted anything but what I had.

I wanted the continuous chatter of adults as background noise while a few friends and I ate hot dogs covered in ketchup around a glass table, our wet bathing suits dripping into the cushioned seats, our preteen voices loud, fast, and rambling as we shouted over each other and crashed into each other’s half-lived sentences because we had so much to say and so seemingly little time to say it. I wanted my hair to stick to my face and my body to feel nimble and strong. I wanted a bodysuit of chlorine covering my skin, flattened heat weaving through the air like a hug, and the golden spheres of fireflies bouncing around like video game bubbles, disappearing into the forest full of dark-green trees like lanterns guiding me home. I wanted to be so overjoyed with life that it would pour out of me and spill all over strangers. I wanted to laugh so hard, I’d have to chase after my breath. I wanted an insatiable hunger for life and a satisfied tiredness in my bones when I fell asleep at night. I wanted everything. I wanted to be a free summertime child. I wanted to be safe. I wanted to be me. I want to be me. I want to be the tallest girl alive. I want to be an invisible fly. I want, I want, I want, and I don’t know if I’m ever going to stop.

6.

In the fall, the sun stays in place, the cold is at a vertical standstill, and I wish I was a few years younger again because I don’t know who I am right now, and I miss the false sense certainty of self that I don’t think I ever really had. I sometimes think I made mistake opening the door to the past because ever since I did, I haven’t stopped time traveling. It’s endless: the grief, anguish, distortion, and fragmentation. I am ripped apart and scattered across my past. I am a semblance of a young woman but not exactly. I am an attempt at being a person, but really, what I am is a performance.

With every passing day, my mind becomes more and more spotless, the eternal sunshine peering over the horizon. I’m getting what I wanted at the cost of everyone I used to be.

I wish forgetting myself didn’t hurt so much.

7.

In the middle of winter, the days disappear behind me, and I disappear behind them. But my emotions drag me forward, unable to let me get lost to time. So I thank them for that and hobble forward.

I find handfuls of grief in the pockets of space between my and my grandmother’s clasped hands. She is swallowed up in my kisses.

A whole year passes.

Then another.

And another.

I did it.

I collapsed through time.

And what do I have to show for it?

Nothing.

But that was always the point, I think. I just didn’t know that when I started.

8.

I don’t know how to write about death because I have never been without it. Her. I keep coming back to death, unable to part ways. I tell no one—not even myself sometimes—that perhaps the reason I’m never without her is because I cannot be without her. I keep her around because she is where and how I begin. When I was born, I almost died, and that’s why I’ve lived the first twenty-five years of this life half-alive. It’s all I know how to be.

When death is particularly present, I break apart. It’s a split-body experience, one foot in, the rest of me out. I watch myself move around my life; I’m a passenger in my own existence. My arm shoves food into my mouth, I’m not here; my legs take me to the nursing home, I’m not here; my head clouds in the living room, and I hopelessly try to remind myself that I am at home and I am safe and no one is going to kill me, but I’m still not here. Instead, I hover outside of myself because it’s not safe to be in my body. And it never has been. I’m not here, and I never was to begin with.

I stare at people I’ve known for years as if I’ve just met them. I blackout on train rides and can’t remember who I am for far longer than is funny. I say my name and age with hesitation, like am I really sure I’m 28 and not actually 15 or maybe 5? Because I am those ages. I am 9, 5, 16, 21, 2, 7, 23. So, am I somehow lying when I say I’m 28? How did I get here again? I can’t remember much of anything from the last month. I can’t remember much of anything from the past week. What’s my name again? Oh, okay, I kind of don’t believe me.

“How old are you?”, the convenience store owner asks, his question tinged with a bit of playfulness. I feel like I’ve been caught. How old am I? 27. No, that was last year. I’m 28 now.

“28,” I tell him, after a few seconds of contemplation, but that doesn’t sound quite right either. A packet of nerves rips open across my neck and upper chest, sending granules flying down into my ribs and abdomen.

“I can show you my ID,” I joke. But even if I do, that doesn’t seem accurate either. Nobody knows how old I am, not even me. Somehow, the ID is wrong and so am I. An imposter. He waves a hand and gives me the Powerball ticket I’m buying for my dad. Maybe I’m not the age I think I am. Maybe this is another trick I haven’t figured out yet.

Most of my life has happened outside of myself. And outside of one’s body, reality isn’t real. Brick walls melt like battery acid. Ten-year old items suddenly become new. Distortions, intrusions, and momentary blackouts are normal. I bend time, just not pleasantly. I move across realities, just not intentionally. I am two people, and then several hundred more. I live in a twisted fantasy, a walking nightmare alongside everyone else’s versions of reality. I’m here but, really, I’m not.

I wonder what it’s like where you are. Maybe, one day, I will be there.

Maybe I already was.

9.

Two springs ago, I watched time split before me: I started walking through and by my past selves. Historically, my memories had remained inside my head, but, suddenly, they were projecting themselves into the 3D, giving a breath of life to versions of me I thought I had long moved away from. But really, I hadn’t. Not even close.

The first time it happened, I was walking past the funeral home where, months prior, I had started saying goodbye to my grandmother. This was the first time I had been a witness to death. It was 8:15 p.m. on March 11th. I was halfway through a five-mile walk back home. It was cold and lonely, the percussive emptiness that’s followed me my whole life was right by my side and circling my body. As I passed by the doors of the funeral home, I felt myself behind me so I turned around. I wasn’t expecting to see anything—this was simply another instance of me feeling things, of me seeing things, of me hearing things that weren’t there the way I had for years—and, yet, there I was, leaning against the brick wall by the front doors, dressed in the exact same outfit I had worn to the funeral in August: black sneakers, black dress pants, a long-sleeve lace blouse buttoned all the way up to my neck, and sunglasses. I was waiting for the funeral to start.

It was 8 a.m. on the last day of August, but this me, ‘present me’, I, was still in the first half of March, standing in the cold on this side of the timeline, black and dark blue in isolation. On August’s side of the timeline, it was early morning. The hot air teased suffocation, and handfuls of yellow and sky blue tried to pull her up and out of it toward sense of optimism. She struggled between both, wanting to float up, but finding the misery of the ground all too familiar, its grip obvious around her ankles.

August looked at me, with the excitement one gets when seeing an old friend, and started walking over. I stared confused, torn between incredulousness and concern. How could there be two physical manifestations of me? And who was the real one? Surely me, but which me? And if this was real, how was this real? Or, had I broken my brain again, the way I have my whole life, little by little, until my grip on reality finally gave way and I was in psychosis?

That was the answer. My brain was broken. I was seeing things that weren’t there. My grief was distorting reality so I didn’t have to feel the swelling aches inside of myself. Because if I stayed with the grief, it would make my body cave in and on itself, and then………………….I don’t know. I’ve never stayed with my grief. I never learned how to stay with anything.

She came closer. I froze. How could she manifest so easily into a three-dimensional form outside of my mind? If she touched me, would I disappear? If I touched her, would she become real? Did she know something I didn’t? She had an all-knowing energy, as if she had seen a future I hadn’t, even though she was the past and I was the future. But was she actually the past? Yes, but her ability to live in my present made it so that she was no longer in the past. I had brought her into my timeline. Or had she brought me into hers?

Shame snaked through my system and started to fill my face. August looked so cool, and I felt so ridiculous for being able to see her. How was I doing this? How was I seeing things?

She stopped a few inches away. I hesitated but she smiled.

“It’s okay,” she said, and I was embarrassed.

She had a level of self-assuredness I knew I had, but always struggled to maintain. It faltered often, went in and out depending on who or what was around me. But she looked and moved so cool that I wished I was her instead. I wished I could understand how this was happening, but I couldn’t. I still sometimes can’t. I am a stranger in my own history even when I come face-to-face with myself.

The second time it happened, I was walking down Shore Parkway. Something told me to stop walking when I got to the corner of Nostrand Avenue, so I stopped and looked to my left. At the end of a long block, I saw a memory of me at 19 years old. On 19-year-old-me’s corner of the block, it was nighttime and two coworkers were talking to her. She was uncomfortable, sensing an energy beneath the coworker’s words that forced her to put her walls up; but she kept smiling because a bubbly personality will keep everyone happy, she reasoned. Then she dropped all pretenses and stared at me across some fifty-plus feet. The coworkers kept talking to her but she had broken away from that reality to merge with mine. I looked around, wondering if anyone else could see her, but I realized that I was all alone with myself, like I always have been.

Her 19-year-old gaze was penetrating and unflinching; my 26-year-old body shrunk underneath it. And yet, at the same time, it felt like the most natural evolution in my understanding of myself. Here, I could see how I existed across multiple timelines, swimming between years, never really anywhere permanently. I was floating in a layer above reality, drifting along the seams.

Still, I smiled, giddy that I had a secret that only I could—and would—ever understand. I watched her and the memory play out. I desperately tried to connect to her. What could she tell me? What did I need to know?

But she didn’t say anything because we only ever speak in feeling, our lives a series of memories stacked on top of one another other, all crushed beneath, subsumed by, and drowning in feeling. Dying in feeling. All of it is feeling unprocessed, unintegrated, unmetabolized, trapped, frozen, stuck. And that was the answer I didn’t want. That was the answer I was unconsciously and consciously avoiding at every junction.

I left her there, promising I’d come back to her another time when I could connect to her better. As I walked home, every so often, I would look over my shoulder to see if she was following me, but she wasn’t. Not in the way I thought she was, at least. Two springs ago, I thought I watched time split before me. It was another year-and-a-half before I learned that I was dissociated.

Sometimes, I remember something a tarot reader told me a long time ago:

“You are the only one who sees the stars.”

“What do you mean?”

“I can see you laying on the grass, looking up at the sky. You see the way the stars move. You see the galaxies. You see all of that. They don’t. Your parents, they don’t see it. Your friends, they don’t see it. No one else sees it. Nobody does but you.”

And what a privilege and a burden to see things no one else does, to be alone in a world only I can witness.

10.

Spring also carried a little death in it. Even if the delicate sing-song birds woke me up at six am, and the air tasted fresh, the death of winter was underneath it all. Something had supposedly finished. I had moved on from something, and yet it lingered, like acid burning through my forearm and my shadow pointing at the hole to say, “See, you missed all of this. You missed all of me. Here I am.”

It was never warm for too long. It was never sunny for too long. The long-nailed cold would always come back, digging into the flesh of Spring and pulling it apart to show me exactly what was still underneath: the death of my old selves. And I couldn’t look away from that. I couldn’t stick my head in the ground and pretend I wasn’t seeing what was really happening. All that time, I was hoping to find comfort in a season that has only ever forced me to start over.

On cold days, I lived in a still-life painting, flatness imbued into every moment. My still-life painting, a series of fruits on a table, waited to be sliced in half but the knife in my hand wouldn’t budge. The shiny veneer on the fruits was dull, like a streak I couldn’t wipe off despite my best attempts. I tried chewing the fruit because I needed something to bite into—something to spread across my mouth and get stuck between my teeth—but they were all fake.

I did love the cold, though, and for a very simple reason: I loved how it came alive on Danny’s face. Cherry cheeks and wet eyes, runny nose twitching twice. In the wintertime, every exhale covered Danny’s face in a fleeting cloud. I waited for each one to dissipate like a magician’s grand reveal. There!, there he is again. Like he never left.

I love you,” he said with no fear in his heart and not a single tremble in his voice, every word solid as it slipped into my ears and spread across my body like a promise. Then he hummed, once, a satisfied acknowledgement of his love for me—and with his exhale came another cloud to obscure us from the world—and I thought, ‘Who is the ‘you’ that you love? Because, surely, it isn’t me.’

I had so many yous I hadn’t introduced to him yet. There were so many people in my body, some centuries old. Does he really know me? And if so, how could he love me? He can’t even see all of me. Because if he did, he wouldn’t want me anymore.

When it was cold, my head was mostly quiet, like an ice sheet over a lake. I thought about very little. I floated through life unconsciously. I had some semblance of a routine, even if underneath it all, there was a whole lot of rot. I didn’t see the rot, though; I didn’t see the contents of the lake, the monsters lying in wait; rather, I was still good at repressing it and them from myself, so that I could continue with my false peace.

But when it was warm, it wasn’t so quiet. My mind turned into a retroactive pinball machine. I thought about my body a little too much, so much so that I wanted to crawl into myself and suffocate. I felt my body at every odd end, every protruding corner magnified. Thighs stuck together like paper and gum, skin on fire begging to sink into concrete so I could become a flesh puddle. I was much more comfortable spread thin. Please don’t look at me and please don’t see me. Suddenly, I become very real to others.

But I am much prettier when I’m barely here. I am disappearing exceptionally slow, and I’d go faster if I could, but for some reason I can’t, so come back in six months, or don’t come back at all. Everyone is always leaving anyway. 

It was better than it used to be: my self-hatred and insecurity had whittled into tree stumps and their roots. But I was still aware of my body and all the ways in which my performance wasn’t perfect. 

‘This isn’t me’, I’d think while looking around my room, all the colorful toys and figurines staring back at me as if I was an imposter.

‘This isn’t me,’ I’d think when I saw a photo of myself next to others. That’s not what I look like. That’s not how I remember myself. How do I remember myself? I don’t remember myself. So, that’s me? Sure. I guess.

‘This isn’t me,’ I’d think when I’d relapse for the fifth time in a week.

This isn’t me, that wasn’t me, none of it’s me. None of this is who I am, but nobody knows me in any concrete way to begin with, so why am I looking for definition? I’m trying to define someone who has never been a real person to begin with.

“You are the nicest person in the world,” they say and they don’t even know who I am underneath all of this. They don’t see through the artificial sweetness, the thousands of layers of identities I’ve built up. They don’t see the expert control I exert to contain myself. If I came truly alive, I would lose everything I carefully built; because if they did see through all of it—all of me—, then I failed at what I set out to do many years ago: never show my true self.

But if I finally showed my true self, then I’d finally be free. And I don’t know if I am ready for that. I’m scared. I’m scared because to become who I want to be, this version of me has to ‘die’. I can’t go forward if I’m ‘this’. She has to go. I have to go. And I don’t want to die. I’ve grown so accustomed to myself. I am so familiar to me. I don’t know what’s on the other side—and I won’t until I get there.

11.

I am a child and I am very rambunctious. Silly. Manic. I dance in the middle of the street with my shirt pulled over my head. I am theatrical. An actress. I like drawing. I like running. I like playing tennis. I roll my eyes. I am honest and I say things bluntly. People don’t like that. Some say I’m mean. The boys don’t like me because I beat them at tennis, so they get violent. Other boys say I’m a bully. I have friends but I don’t feel like I do. I don’t think anyone likes me. Why would they? I’m so loud. I wish I was like the other girls because the other girls are pretty, feminine, and likable. Things just are. I just am. And I just don’t like myself very much and I don’t know why.

I am a child and I say the wrong things. I can’t speak the language. I’m not sure how to say blue in English so I point and mouth things and draw cartoon characters and everything is so loud around me, none of this makes any sense. Some boy thinks my name is Mary-Jane, so I believe I’m not someone worth remembering. One day, my grandpa leaves me by the Pre-K classroom door and I cry so hard that I remember the seeming abandonment for two decades. I don’t feel like I fit in much of anywhere. I’m a girl but I don’t feel like one. I think I’m weird and odd and angled wrong. I need to be fixed. I ruminate and worry and I don’t even know that I am because it’s become so normal to me. I remember almost everything, and I wish I didn’t. My life would’ve been so much different and better if I didn’t remember everything. I might’ve grown up to be a real person.

I am a kid and I am quiet. I hide my eyes. I lower my voice. I don’t tell anyone much of anything. I put on a mask and hide my body. I become someone people will like and it works a majority of the time. No one actually knows me and neither do I. I’m too far removed from myself already. I’m something, but what, I don’t know. Slices of black bread and apple juice comfort me. I sit on the floor of my room in the dark sometimes. I like the cold because it feels like a hug. People don’t like me as I am so I become someone they do like, even if it means breaking myself apart and tucking the fragments behind walls and amnesic barriers all around my psyche. One day, I might put myself back together. And it will take years.

I am a 29-year old child and my life is happening outside of me, waiting for me to catch up.

12.

In the Spring, some days it drizzled, others it downpoured. I liked the downpour days because I loved the smell of petrichor that burst from the crevices of the Earth. I loved the way it plunged into my nose. I loved the sudden taste of dirt in the back of my mouth; it was as if I was so hungry for life that I chewed my way through the ground to experience it.

I loved the empty streets when it rained. It made me feel like I was one of the last few people left on Earth. I loved how you could only hear the rain: the tender pitter-patter against windows; the harsh jackhammering against car hoods; the uneven zig-zagging down bricks and siding; the rushing flow toward storm drains. I loved how clothes stuck to my body, fabric bunching up to reveal a sliver of skin above my waist, a crescent waiting for a safe touch. I loved how my hair draped across my shoulders and neck like sprawling Spring branches. I loved looking at Danny, a raindrop precariously hanging off the edge of his eyelashes, brown hair matted across his forehead, hands dripping with desire. And then there was the kissing: all wet, messy, and loud with laughter. Raindrops pooled beneath our tongues. Noses glided off cheeks like water slides. Sopping clothes folded into each other. I liked kissing in the rain because, for the longest time, it was the closest I could get to being almost in my body.

And then there were the in-between days, yellow-tinted grey and slightly warm. If a day could be a question mark, those were it.

In the late Spring and early summer, storms came to Brighton Beach, but sometimes they never really started. The sky turned grey, the air surged into skeptical warmth, and tension rested heavy beneath the clouds like a water balloon seconds from bursting. Brighton became a tiny island in the center of the universe. Everything seemed pinched; everything needed a release; everything was on edge, but there was a makeshift blanket wrapped around all of it, an attempt to soothe our anxieties. We were living in-between two worlds, something I knew all too well.

There was a park on Brighton 2nd, adjacent to the boardwalk. Inside it, near the swings for older kids and adults, chain-smoking grandpas played chess. Sometimes I sat and watched Danny play against these men. I was more focused on their faces and unspoken tells than the actual game at hand. I didn’t know how to play chess, but I knew how to read people. The twitch at the top of the right cheek, the momentary-flared nostrils, short, thick fingers repeatedly rotating chess pieces between them like a cigarette, darting eyes, lips pushing down a snarl. I liked reading people because there was so much to learn in the way their bodies betrayed them. I liked reading people because if I could predict their actions then I could stop myself from being hurt.

Of these chain-smoking men, I was familiar with one in particular. Kim, with his round, hard stomach, and cratered face, was my childhood best friend’s surrogate grandpa. He vaguely remembered me, the way most people do, but I remembered him and her well. I remembered their black cat that I actively avoided, the view out the bedroom window where she once gave me a secret I still haven’t untangled from myself, the computer we played GTA on, and the Pokémon GameBoy cartridges that passed through our small, sweaty hands. I remembered everything because it’s the only thing I’ve ever been able to do well.

I didn’t smoke, but I liked the different smells that a cigarette could produce. There wasn’t only one. My favorite was stretched out, like a piece of taffy or a mystery Airhead, the nicotine concentrated in the middle of the smoke cloud. The second the scent plunged up my nose and into my head, I was back in the deep heat of July, blackberry stains on diagonal sidewalks, grass-stained golden knees, fireworks dotted across a black sky, hot dogs outside Shea Stadium with my mom and grandma, flat-chested and broad shouldered preteen years of misgendering, a massive pool and moss-covered benches in the middle of a Jewish camp in Staten Island, and any other memory laced with the scent of cigarettes.


“You have a good boy here,” Kim gruffed in Russian, “he might actually beat me.”

Danny had beaten him all five times they played.

I tried stifling my laugh, and I failed miserably as I looked over at Danny. He stared at the board intently, but his lips betrayed him, a small smile forming on his face. I playfully rubbed his thigh.

“He is pretty great,” I easily admitted. And as soon as I did, I no longer wanted to be sitting there. In the distance, I saw myself standing at the shoreline, waiting for the waves to get tall the way they did when I was little. One day, I would stay, but that day was still far away.

When I was little, I’d run into the waves even though we weren’t supposed to. It was dangerous and I knew I could get hurt, but when you’re young, it doesn’t feel real until it happens. Running into ten-foot tall waves felt like a challenge I could win. And I did, every time. But the water never did purify me the way I hoped because it couldn’t penetrate me deep enough.

Danny rested his palm on my right thigh; I came back to the present, using his hand as my neutral anchor. He didn’t have to say it, I knew what he was doing. He was grounding me, and even though it was buried beneath layers of protective mechanisms and walls, my love for him swelled the way the waves used to. I could see the rest of my life slowly unwinding with him and that petrified me.

Danny and Kim continued playing, the cigarette smoke ever-present, a hovering obituary. The swings creaked behind us. A chorus of children laughed, their shrill shrieks circling the park like a hula hoop. I am 28 and yet I am their age, too. I am still floating across time. I am still floating outside my body. I am here and everywhere and nowhere all at once.

13.

Somehow, it is now summer. The seasons pass by. Barely a blink. I’ll be 32 soon enough and maybe, just maybe, I’ll finally be in my body. All I ever do is wonder what that’s like. But, for now, I have the pleasure of being distorted, stretched across collapsing timelines, compressed into a little girl, stretched into a tall, friendly giant. Everyone thinks I’m in love with them and nobody knows a damn thing about me. But neither do I. So I’m not so different from them, I guess.

Summer used to scream at me and I would scream right back until my guilt crept in and I swallowed my scream. Now, Summer is quiet and apprehensive around me. She doesn’t know what to do with me and neither do I, so she goes back to doing what she does best: she starts pulling apart my skin and the fat under my arms; she scratches over the stretch marks on the inside of my thighs, branding me as hers again. She digs into the scars around my breasts until I’m dripping blood down my stomach and over my legs, and I’ve never felt more alive than when she turns me inside out. She shoves her fist in my mouth and tells me to bite down; and I do, drawing blood from her wrists. It spills into my mouth, and I swallow and laugh, and she does, too.

Summer sinks into my skin and I am ten again. I am running, running, running. There’s a phantom sensation of blood at the bottom of my throat. I know what the future holds. I’ve run too much, I’ve gone too far, but I can’t stop. My hair sticks to my neck. I am so beautiful, I am so young, and while I have been hurt, it hasn’t been enough to break me down fully. Yet. I can’t feel the hurt therefore it isn’t real. My eyes are big and my smile is radiant. I am mostly myself, but not really. I have my whole life ahead of me but I can’t see it.

Summer falls back into Spring. I put on a sweater and jeans and I go watch a movie in a theater I worked at when I was 19. When I come home, the apartment is empty and I feel guilty for enjoying myself too much. I should give myself to others, I suggest, but I only want me for myself. I pack a bag of food and for the first time in two weeks, I visit my grandma in the nursing home. I have not accepted this reality and we’re one year into it now. If I don’t accept things, then they’re not real. So I don’t accept myself.

I float when I leave the nursing home, which always takes too long because leaving is a grieving process. I have to kiss my grandma three times on the cheek—three because two doesn’t feel enough and three feels Goldilocks-right —and I hold her hand for a little bit and then I walk away but I stand by the nurses’ station for a minute to make sure she’s still okay in her wheelchair and we wave to each other and her wave is so cute and child-like but then I worry that she’ll die between the moment I leave and the moment I see her the next day so I go back into the cafeteria and kiss and hold her again and we repeat this cycle at least one more time before I finally make peace with the fact that this might be the last time I ever see her so I leave and once I leave the building, I feel relieved, like she’s okay, like she’ll be alive tomorrow, now let me go home. So I go home. And then I forget that she has dementia and I forget anything that happened before this moment and I keep forgetting except I don’t because all I do is remember.

14.

In the past two weeks, snow has snuck in like a secret. Last night, as we walked through the park, the snowflakes fell slow, landing and melting on small stretches of our skin. Danny’s face glistened under the silvery glow of the moon, so I reached out and wiped the dampness away with my thumb; he smiled wide, baring teeth, and my body went quiet, stunned into submission. ‘There’s something about you,’ I whispered in my mouth as my hand returned back to my body, ‘and I don’t know what to do.’ But like a magnet, it did so with resistance because my hand no longer wanted to be by my side but by his. I was betraying myself again.

‘You really are different,’ I said in my head as I stared at his smile. A part of me waited for him to open wide and swallow me whole. I could already feel his teeth cutting through my flesh and piercing my neck because that’s what they always reach for first. Instead, he leaned in to kiss my forehead, and the warmth started to thaw decades of deep freeze. My toes wriggled in my boots. Water rose all the way up to my ankles. I flexed my fingers and shards of ice cracked and fell to the ground. I hadn’t been swallowed. I hadn’t floated away. I was still here. I was still alive.

“I love you.”

I was supposed to be happy, I was supposed to feel at ease. But all I could think was: ‘Who is the ‘you’ that you love?’ He didn’t really know me. And even if he did, how could he love me? ‘You can’t even see all of me,’ I wanted to say. ‘And if you did, I don’t know if you’d like her very much.’ But the night was so perfect, so I told myself to be quiet like the snow, and not loud like me.

He grabbed my hand in his and gave it a gentle squeeze. He was trying to tell me, ‘You don’t have to say anything’, so I listened. I nodded and he smiled at me. I smiled back, which gave him the cue to start leading us out of the park. The water sloshed around in my boots.

With my mouth slightly open, I swallowed cold air, unable to stitch the words I had never told another man before. My drowning feet pulled my body forward, but I was still stuck back there, back where he said “I love you.” I turned my head, and saw myself staring at me. Who did he love exactly? Her? Who is she?

I looked at her and she looked at me. She waved, shyly. I wanted to drop Danny’s hand and run toward her instead. I needed to protect her. At 28, I was still leaving little pieces of myself everywhere. I was still scattered across my past, fragments of me floating through the years like lost objects in space. And I was desperately trying to find every single one of them so I could put them all back inside me.

If Danny turned around, he’d see her, too. Or maybe not. Maybe I’m the only one who can see me. I try my best to not let my selves leak into his life. I don’t tell anyone of my sightings. I keep them to myself. I keep myself to myself like a project needing to be fixed, a monster needing to be cleaned, an animal needing to be domesticated.

“Are you alright, darling?”

I turned back around, glancing at Danny, his eyebrows knitted, and his brown eyes filled with concern and care. I squeezed his hand. I didn’t know if he would believe me, but I said “Yeah,” anyway.

Because I will be.

Limbo.

It’s all different. It’s all changed. Night comes so much quicker than it used to. I don’t remember it getting this dark this early before. But I’m sure it did. I’m sure it was always like this, I’m sure….I just don’t remember anymore. I can’t tell you what month we’re in, or what day. I can barely tell you what year we’re in, or my name. So I can’t tell you much at all, but I like it better this way. Isn’t that kind of scary? I am forgetting everything and I’ve never been happier.

Mostly.

The sky fell last night and I caught it with my face. Last Tuesday, it exploded and it cut my body in half. Tonight, it hangs low, a cautionary sign: don’t move too fast or you’ll trip over yourselves. A hesitating fog-shy, too-tentatively coats the atmosphere in a still shade of grey, overlaying the lavender and pink twilight sky like a smoke screen. If you walk far enough, far into the fog, far into the past, you’ll disappear without a trace. And that’s so tempting, isn’t it? To leave and never be found.

I can teach you how to do that, if you want me to. But I’m really not supposed to. No one’s watching me, so I won’t get in trouble, but if I show you how to disappear-really, how to time travel-it might break you. The human body cannot handle time travel because the human body is not meant to time travel.

Each trip rips you apart little by little; over time, you are fragmented into a hundred thousand separate parts; and by that point, you are no longer in your body and you no longer have any solid semblance of self. However, if you were fragmented to begin with, like I was and still am, then each trip is an opportunity to put yourself back together. Funny how that works.

I did it backwards, and that was not on purpose. I was just trying to survive, so I fragmented myself over and over. It was a well-meaning accident every time I did it. I broke my brain and then I started unconsciously time-traveling. And now I’m here: in Limbo.

Limbo is a haunt, a lonely, isolating in-between. It is not a forever place, but it could be if you’re scared like me. Limbo is a moment that ceases to exist as soon as you leave it. And I’ve overstayed my welcome for three and a half years because I’m not ready to leave it just yet.

Sometimes other people appear in Limbo, but they’re all unaware of me, even if I shapeshift to get their attention. I make myself sixty feet tall and wave my inflatable arms like a roadside attraction, stomping through the streets like a sympathetic beast, intentionally leaving craters in the rubbery asphalt and sparkling concrete. These are Stage 1 sinkholes to swallow them up, but they walk around my markings like spilled milk on the road.

I do acrobatics on top of speeding trucks and trains, resisting wind as if it’s just a small breath of air, contorting my body in ways that are anatomically impossible in your world, and all that the other people feel is my rush, me in the form of a warm, dry breeze tickling their soft, unfazed faces. So I get real close, standing centimeters away from them; I lick their cheeks and push my fingers through their necks until they come out on the other side; I bite off their shoulders and use their clavicles as walking canes; I blow my eyes out of my sockets like strings of confetti, and I pull my head off my torso like a rabbit out the hat-and still nothing.

Even as I walk home with my head propped against my waist, my eyes drooling down my face, and I wear my pants like a top and my shirt like a skirt, none of these people notice me. They keep walking by, completely unaware that I’m here, that I exist. That I’m real. They don’t see me at all, so I walk home, in this world alone, with a smile on what’s left of my face.

Tonight, the streets are slick, covered in the glimmering sheen of afternoon rain that doesn’t want to evaporate. But neither do I. For all my big talk of disappearing, parts of me stay put. I’ve got myself chained down to this version of here because I’m still scared of moving forward. So I meander, walk around with no seeming end in sight. The only end I can see is the faint sense of ‘there. ‘There’ is where I’m supposed to be so ‘there’ is where I push myself to go.

But I don’t know where or what ‘there’ is, so I walk and walk and know that I’ll find it one day-because I’m persistent, relentless, filled with desire that won’t subside-but I haven’t made it ‘there’ and the difference between here and ‘there’ looms large most days.

Pushing myself ‘there’ hurts. I drag my feet while doing so. My knees ache. My chest and back, too. My left wrist dangles off my arm like a wilted flower. My face droops toward the ground, and my locked jaw is the only thing keeping the skin somewhat where it should be. I am in chronic pain every day, but I keep going. All of this is a symptom of too much time-traveling I’ve come to learn, but I can’t stop. I won’t.

I’m split across time and have been for over twenty-nine years. The only way to put myself back together is to go back into the past and close the survival loops that keep these memories open, these parts of me unintegrated, my timeline erratic and unstable.

And once I do that, I will be whole: one me, one stable timeline, and one reality (supposedly). No more limbo. No more any of this. And no more me as I’ve known myself to be.

How willing am I to forget myself forever?

Clarity

my sadness stains the light. and though it filters in, it’s obstructed, broken up into little pieces, divided into halves, quarters, or eighths. i feed on the slivers, dance in their warm familiarity; i jump over the shadows on the floor, sway in the invisible cages they make. despite the seeming and makeshift momentary joy, the grief lies heavy underneath. 

i do not recognize myself, it whispers. 

i want my mom, it says.

my grandma is going to die, it pounds.

i turn around and fix my gaze on the bench by the wall. the bench is empty, half of it drying in darkness, the other half soaking in light. i move toward it, wanting to rest, finally close to allowing myself to, but then i hold back. my loneliness awakens easily, and my grief is always clawing at the base of my throat, desperate for some acknowledgement from me. once i sit, i will be reminded of the oceanic gap between myself and others, of the insecurities that make up my second skin, trapping me inside of myself and keeping me tucked away from anyone else’s love. once i sit, my grief will rise into my face and i will be pulled down into an abyss twenty-eight years in the making.once i sit, i will come face to face with myself and i’m scared of who i’m going to find.

so maybe i shouldn’t sit. maybe i should keep standing — or, better yet, walking. i’m really good at that. i’m really good at moving, moving, and moving and never stopping and always going, always going because if i’m always going then nothing can get me. but if i stop and slow down, slow down until i’m still and standing and only with myself — all my selves — well, i’m not ready for that just yet.

but the bench is made for two. someone else can come and sit next to me. and i know that Danny is around here somewhere, floating across the floors because his feet don’t always touch the ground either. he can come and sit next to me — and he’ll want to sit next to me, and i’ll want him to sit next to me, too. only i can’t allow myself the pleasure of that because if he sits next to me, he will want to hold my hand. and i know that as he holds my hand, i will be waiting for him to let it go because he always does. because he always leaves. because everyone always leaves. 

but he can’t leave if i never let him come in. 

so i won’t. 

i about turn and stare up at the skylight instead, letting go of the bench and all the possibilities it could offer me. 

the sky is bare blue and timidly-tinted with a little green, subtly soaked with yellow and gold. its placed behind parallel and dissecting lines of glass — and there are no clouds, just reflections of different bits of glass in other bits of glass. the afternoon sun is somewhere off to the left, somewhere in the distance, somewhere on its own just like i am beneath it. its light dissolves through the windows, slinks down the walls, rolls off the hundred-year-old paintings, and lands on my still face. i let it melt through my skin and glue me to the floor. for whatever now is i am here. 

spring is different this year, nearly impenetrable. i wake up before the sun. i walk along the shore. i talk to the birds, but they don’t talk to me. two years ago, the white butterflies followed me. last year, it was the bees. this year, no one follows me except for me. i smile and say “hello” to strangers. i know everyone but no one knows me. i stop and smell the flowers: lilacs, dogwoods, cherry blossoms, roses. i bring their branches to my face, the flowers to my nose. they’re so body-meltingly sweet, but my head is dull so i can only access some twenty percent of their scents. i rise on my tip toes to get more of their fragrances, a familiar attempt to drown the entirety of myself in one sensation, but nothing comes in — i’m blocked. so, my feet fall to the ground and i start walking again. 

i should go, i tell myself. i should move, but i can’t. my feet and legs are somehow so solid, so grounded to this museum floor. some of me is down here, and some of me is still staring up at the skylight. but some of me — a lot of me —  is somewhere else and it’s my job to get them back.

i become so quiet as my identities reveal themselves. there’s the me looking up. there’s the me noticing my grounded feet. there’s the me observing both of those me’s. there’s the several dozen me’s from the past armored tight inside my body, incapacitated by fear, focused on protection. there’s the me trying to soothe them. there’s the me trying to get rid of the me’s from the past that are armoring me. there’s the me observing those me’s. there’s the me wanting to get rid of all these me’s. there’s the me trying to stop that from happening. see, i’ve never been bored in my life because it’s never been just me. me is plural — and, yet, it’s so lonely seeing things only i can see; i live in a world all by myself. 

i’m one foot in this reality while several parts of my body are stretched thin across pasts of mine that i willingly disintegrate more and more with each day. i have very little to hold onto, and very little to define myself by, and yet somehow i’m still defining myself by things that i felt when i was a child. i remember everyone and i have also forgotten mostly everyone. if you call me by my name, i might take a while to register it as belonging to me. i’m not myself, and yet i am becoming most me i have ever been. 

i miss my mom. i miss a past that doesn’t exist anymore. i miss my grandma’s in different ways, but i am still nowhere close to accepting what happened and what is happening. my older brother never came home and he owed me that, but, really, he didn’t owe me anything at all (no one does except for me). i’m a small and scared child in a big adult body. i intimidate men, or so they tell me. i wear a second skin of embarrassment beneath my performing top coat — and no one can even tell. my anger is leaking onto the floor, and sometimes people slip on it. i lean down and wipe their bloody noses, but then apathy takes over, covering up the rage, and i walk away. ‘that wasn’t real anyway’, i believe about nearly everything, but the blood on my hands says differently. i don’t know what i’m doing with my life and it isn’t charming. i wish i could stop walking for miles, but if i stop, i’m going to crash into my selves. i walk into every room with a pervasive feeling that i am unwanted. i move through life with death nipping at my face. i haven’t stayed still since i was 5 and yet i’ve been frozen in place all my life. i think i’m going to blink and miss myself, too. if i’m lucky, i won’t remember any of this. and if i’m not, well, we’ll see. 

there is so much grief because the time passes and i can’t get it to stop. death has been ever-present since i was a child — a full-force cage around my heart, a deep awareness that everyone i love will die and it could be in a moment or a day or a week, but it’s coming and i can’t stop it, even if my occasional grandiosity thinks that i can. i almost died when i was born. then i almost died when i was five. after that, thirteen. then seventeen. twenty. twenty-three. and a bunch of times in-between. i almost died a million times and now little bits of me die every day to make way for some version of me that’s meant to be greater, better, lovelier. more likable, lovable, desirable. i watch all of this happen in the in-between lands, a bridge between the old me and the new me, and i wonder if all i’ll ever be is a widow of life. 

danny’s hands swoop over my shoulders, palms flattening across my sternum. i gasp from the sudden touch. his cool, calloused fingers rest against my skin, but he can’t sink into it because there are a hundred layers of armor protecting my heart. my breath hitches in my throat.

“hi.”

there’s a smile in his voice. his heart beats into my spine, soft and steady, one. two. three. and four. then five. it’s a fisherman’s pace. i match its rhythm, slowing down my body to line up with his. his warm breath paces around my neck, looking for some contact, some part of me to brush up against. maybe he can unravel my trapped breath, pull on it like two fingers unraveling a knotted necklace. maybe then i can breathe more fully. maybe then i can lift up off the ground and soar toward the sky. 

i’m no longer looking up at the skylight, but at the wall across, trying to find some point to land my eyes on.

“where are you?” he asks. 

i don’t know. 

where am i? 

where do i want to be? 

his words float toward the skylight; i reach my fingers up, hoping to loop into their hooks so that i can pull them back down to me. 

where am i? who am i? who could i be?

a little smile, crooked because i’m in on my own joke, grows on my face. my hands reach behind me, wrapping around his waist, and pulling him closer into my body. i hear a breath of surprise, and i smile even wider. my fingers sink through his shirt and into his skin. i brush against his bones and thread through his fascia, looking to reach his heart, looking to find memories of me that may be buried inside. am i in here? where am i? who am i in here? what me’s will i find?

across the way, i see myself smiling and staring right back at me. 

“hi,” she mouths. 

“hi,” i mouth back cautiously. i still get momentarily startled when i see myself outside myself. it’s been two years since it started happening and i’ve only gotten slightly used to it. there’s never any warning. it’s just there i am. 

her hair, my hair, is wild, unruly — golden curls spiraling outward like sun rays; her eyes, my eyes, glisten with joy; her smile, my smile, is unrestrained, meteoric. a soft, subtle power courses through her forearms, up toward her shoulders. her shoulders stand tall, her legs are long and strong, and her chest is relaxed, not a single layer of armor in sight. she tilts her head to the right, lips slowly curling into a playful smile as she waits for me to realize what she’s always known. 

that’s where i am. the answer to Danny’s question is: 

right 

there. 

untitled

Time lost linearity two years ago. I am in some form of eternity now. 26 and 27 were headless years, and 28 is a black hole, a spiraling sense of detachment from everything and everyone.

I move through these years like amniotic fluid looking for a body and like a body looking for amniotic fluid to sink back into. 25 was the last seemingly real year of my life before I walked through a door I can never reverse out of.

I sometimes wish that I could go back, if only for the comfort of familiarity, if only to sink back into the ‘miserability’ that I used to know so well—as if it was the first and only skin I ever had. For a long time, it was the only skin I ever had. I miss repetition. Now everything’s new.

In many ways, I am ending, and in many ways, I am beginning, but I am also in between, watching it all happen, realizing that this process is forever now and that I will never be the same as I was two years ago or even yesterday. And I miss who I used to be because even if she was too much—and only ever knew how to live outside her body— at least she was familiar.

And I, I am not familiar anymore.

I have watched every identity I ever had disintegrate within and without me, leaving me with an emptiness that has been both fascinating and frightening. I am slowly becoming finite. I am slowly seeing all my edges (no longer borderless, no longer shapeless, no longer always and only outside myself. For the first time in my life, it has become so quiet in my head, but it has come at the cost of everyone I used to be.

There goes that choking sweetness, there goes that hiding deer, there go the only me’s I’ve ever known.

Who am I without my selves?

That’s what I’m slowly figuring out.

sheepshead bay regal

I think the perimeter outside the Sheepshead Bay Regal is a liminal space. I leave the theater, and I am no longer real. I was hardly real before I went in, but I'm far less real now. Everyone else is real, though—that I know for certain.

I walk down the never-ending ramp, my bag bouncing up and down against my stomach. Then the bag somehow disappears. I keep walking and then my torso disappears. I keep walking and then the rest of my body disappears. My body turns into a concept, an invisible construct with no seeming bounds. If I get hit by a car, the car will go through me and the director will yell "CUT!" and I'll turn around and smile, and everyone will applaud but no one will see me, but they'll know I was there, and that's good enough for me because I like being an idea that passes through people's heads more than being an actual person they think they know but really don’t. Then, I'll leave the theater again because this is a time loop and I am doomed to repeat this cycle forever because I have walked into a trap I set for myself. 

I think the perimeter outside the Sheepshead Bay Regal is a portal to nowhere. I leave the theater and everything has moved one micrometer in the wrong direction. I sense it, the off-ness, but I can't wrap my hand around it and squeeze it through my fist. I don't ask anyone if they feel it, too, because I have no one I want to ask. My solitude is so impressive that it could wrap the whole world in a blanket, but instead, it wraps me in a coffin. 

The offness shifted me one micrometer back to equilibrium. I let everyone continue to be real while I dissipate. Everyone acts accordingly, everyone talks the way they normally do, but I have become a passenger in these shared conversations. I speak, but I don't direct it. I smile, but I am looking off to the side, at the cars coming down the road, at the teenagers hanging out, at the last twenty years of my life—where did they go? Where did I go? 

The stark white stadium lights taped to the roof of the theater shine bright; they stare me down like lamps in an interrogation room. It's striking and unsettling but more so odd than unsettling. Something eerily calming about it if I think about it too long, but I try not to think too long about anything. I keep my thoughts five seconds flat. Any further and I'm not sure what happens beyond that, and I don't really want to know. 

I avoid standing under the lights because I don’t want to be seen. I hide in the shadows and wait for the lights to fade away. Whenever the morning comes. Whenever the sun rises and cuts through this portal like a knife, revealing a sliver of a familiar somewhere. If the morning ever comes. If there even is a familiar somewhere left for me to get back to.

If is a liminal space.

If is a delicate draw-bridge, ready to disappear as soon as I step foot onto it. 

I don’t really know where I go from here anymore. I think this is it.

I can't remember the last twenty years of my life. That’s not an If, that’s a Fact. I can’t remember anything before this moment. Two years ago, I stopped trying to remember my life. This is what I wanted. Now I got what I wanted and now is where I am.

Now is a summer evening, late June, on the edge of Brooklyn. Cool air brushes against my revealed skin, curling around my T-shirt sleeves and swimming towards my shoulders. The cool air wants to sit on me but isn’t sure it can, isn’t sure it should. It speaks in whispers and embarrassed-for-me hushes: "She's too fragile," it concedes before leaving me alone. 

Everything leaves me alone, but I leave it first. 

I bend underneath the lights, avoiding their spotlight. I walk towards the car that isn't there yet. My body is suddenly fifty feet away from me. I keep walking towards a future that cannot be built because it has no past to go on. I'm in nowhere and I am alone with no body to show for it.

I wait on the grass. I look sparingly at the dilapidated parking lot across the street. I hold myself down and what’s left of me. If I don’t, I’ll float away. I look at my phone. An acquaintance needed my help but he fell asleep. I’m turning into a savior again and I don’t want to do that anymore. I let my mom know that I’m taking a cab so she doesn’t worry. No one else has said anything. Everyone’s disappeared, too.

I am momentarily 19 again. 

Heart-racing panic every time I see him. Think I’m a joke. Nothing ever changes. Useless. Same pattern playing out on repeat. This is my fault. Everything is too much. The heat wraps itself tight around me, I am saran-wrapped in my own misery. Why am I like this? This isn’t how life is supposed to be.

And then I’m not.

In the theater behind me, I watched a movie by myself. It was miserable and lonely. In the movie, things moved slowly and hesitantly, except for when one character punched another character out of nowhere. Except for when another character shot the main character, even though it was supposed to be a knife fight. I knew he was going to shoot him. The film didn't feel real, either. A copy of reality. Just like my life. He brought a gun to a knife fight.

In the movie, anger and violence moved quickly, unable to be restrained. Change, on the other hand, was immobile and incapacitated. I try to think about my own anger but I can’t. I can't access my anger, and violence doesn't pass through my hands like it used to. It's like the cold has numbed any heat inside my body. Blood runs cool, my heart goes still, the night stretches into infinity, and I'm still not real. But the cab will be here in three minutes. 

I was more interested in the sadness that drifted around in every character's eyes. It was if they all knew they were doomed to repeat themselves, but they would still gently try to escape their fate at least once a year. But even when they tried to change, they always returned to who they were, the reflexive rubber band snapping harsher with each attempt. Change was futile; predictability won each time. 

But I have no past now so do I go back to who I was? Or does that person not exist anymore, and therefore neither do I? I guess I’m real in all the ways I am not, and I'm not real in all the ways that you are. 
I stand on the grass. I’ve been here before, I accept that, at some point in the past. I think about it. Beyond five seconds. I see echoes of the past come into view. Traces of it start seeping in. Oh no, I don’t like that. That’s not supposed to happen. My body’s already at home. I’ll be there soon to catch up to it? 

A car drives toward me and I think it’s mine but it drives past me instead. The perimeter outside the Sheepshead Bay Regal is a liminal space and I have been stuck here for as long as I can remember.

103

i.

i am enamored not with the intimacy of a first kiss but with the intimacy of the hundredth and third one. by this kiss, lips are familiar territory: their grooves and cracks are canyon ridges i’ve traversed and laid claim to; their flimsy pieces of dead skin that peel off like decade-old paint, sometimes blood-soaked, get crushed between my teeth. 

“hey,” i pull back, concerned. “you’re bleeding.” 

“huh,” he licks his bottom lip a few times, “i guess am.”

there’s a pause, a recalibration. he stares at me. i stare at him. i watch his chest rise and fall like a looping wave. i wiggle my fingers as if i’m moving air, as if i’m modulating time. he presses his lips together, deciding if he’s going to cut through time instead but temptation’s beaten him to it. a Cheshire cat smile appears on his face and my “oh, you’re no-“ is cut short because he kisses me again. i gasp. the sudden crush of metal reverberates in my mouth. 

ii.

we’re heading home from a birthday party, weaving through the downtown throng of ghosts. our bodies separate and meet again with the innate fluidness of two souls who have been pulled apart in many lifetimes only to come together in the following ones. i wonder what number lifetime this is. 

november is non-existent, detached from all other months. everyone becomes a ghost, even me. tonight, the sky is a long stretch of dark blue with pin-prick stars splattered across it. if i reach up, i’ll cut my finger on one of them. so i don’t reach up, i stare ahead. the glowing yellow-orange streetlights crane their necks when we approach them, rushing to cast their phosphorescence onto us. we slow down. the air flattens against me. it’s cold. but i always like this type of cold because it’s like a second skin.

Danny turns around next to a restaurant window just as i keep walking. so i walk into his chest. i don’t go through him, not this time at least — because i’m good at that: becoming a phantom. i don’t pull back either. instead, i slowly look up, wishing i could stretch this moment out as far as time will let me. i do that a lot with him: try to take small moments and throw their starts and ends to opposite sides of the room. 

he leans in, enough that the tips of our noses brush against each other, enough that i can feel his warm breath prickling my lips, enough that i can almost taste the watermelon lozenge tucked beneath his tongue (i want to steal it) but not enough that i am tasting him yet. i rarely remember a single word that is said during these kisses because the sleepy haze i operate from pulls all the words away from my view like windshield wipers. my lips swipe past the corners of his lips, leaving a faint pink lipstick stain there; my fingers slide down his cheeks, grazing peach fuzz and the beginnings of a five o’clock shadow. i’m trying to work my way up but i’m sinking instead. Danny caresses my face with one hand and holds my body up with the other. he looks at me with a sense of wonder in his eyes, the wet glisten of someone in love. and then, as i start to smile at him, he leans in and kisses me. for a brief moment, i feel the subtle pressure of his smiling lips; the familiar grooves and outlines collide with mine and stay there like a promise. the moment unfolds mechanically; our lips start moving against each other in a delicate tread until more seconds pass and my fingers start digging into his arms and his breathing gets ragged and fervent friction gives way to immediate need. as i swipe the lozenge from his mouth into mine, the cloud of watermelon drifts up my nostrils and fogs up my vision. i lose my grip on reality. 

and then we are back home on the living room couch, three a.m. tapping on the front door, moonlight cascading over the windowsill, white lace curtains swimming in the breeze. everything around us is awake and moving but there’s a stillness to all of it. something intricate and thousand-layered in every motion, from the crinkling low-hum static of the fairy lights in our bedroom to the bouncing thump of the couch adjusting to our weight. 

the slow creep of moonlight possesses Danny, enveloping him in its cool silver glow. i see my shadow on the wall behind him outlining him as if i was his own shadow. i push his hair away from his face, tucking several strands behind his ears. he looks up at me with twinkling eyes and slightly parted lips, gentle curiosity painted in watercolor over his face — i use everything within me to not crumble. i catch my breath and focus on moving. i glide my fingers slowly through his hair and back again. i brush my thumb along the arch of his eyebrow. i sink past his cheekbones, along the curve of his jaw. i cup his face in the cradle that is my hands, the beauty of his youth spread bare beneath my fingers: the smooth slope of his nose; the two pencil-mark moles, one beneath his right eyebrow, the other above his lip; his lips, the color of a quiet rose, curve upward in a slow-motion smile (it’s dazzling); his eyes, warm, dark brown, finite; his cheeks, in modest bloom for me. 

i trace my finger down the bridge of his nose and let it fall onto the valley above his lips. i keep my finger there, slowly meandering like a lost tenant. he waits and watches. i never know what he’s going to do in these in-betweens but i’m never scared because i know i’ll be caught in safe arms. he grabs my finger in his right hand, clutching it tight, holding it against his lips, studying my face for a reaction. i press my lips together and smile shyly. he gives my finger a little love bite and i giggle. even when i didn’t know him, i think i’ve loved him my whole life. 

he sits up and flattens his hands against my back, pushing my body towards him. i brace for a kiss that never comes because Danny stops himself centimeters away from my lips. i inch forward to close the gap —  a slow crawl to the finish line — but he moves back instead. i wait, unsure of where to go or what to do next. he leans up, his nose skimming along the underside of my jaw, and i let him take the lead. i live in anticipation of him slowly dragging his lips across my neck, his search for that tender spot to sink into that makes my knees give way (my body, possessed). feverish heat, flushed face; fraught breaths, frenzied limbs. youthful suppleness plump against taut skin, over and over again. he kisses that spot, he does, and my knees begin to shake. i grab his shoulders to steady myself, and his sweet laugh echoes around my head. “i got you,” he tells me. he does, but that doesn’t mean i won’t unravel before then. his hands slip beneath my sweater and settle around my rib cage. the pads of his fingers glide up and down over each crest and valley in a hypnotizing sequence. my body is cool but his hands are warm against my bare skin. i take a deep breath in, the aftertaste of watermelon still lingering. 

my skin is an illusion. his fingers disappear into my body, in between my ribs. he slinks across them like an acrobat, looking to find my heart. when he does, he wraps his hand around it and squeezes it twice. it knocks the wind right out of me. suddenly, breathing isn’t so easy. i gasp for air. there’s a weightlessness to my bones and limbs, as if i’m floating, but survival instincts have kicked in as well and i find myself clawing at his shirt, twisting the soft material between my fingers and pulling him towards me. i get his face close to mine, my eyes darting frantically trying to find something in his. “just wait,” he says. so i listen. i wait while he presses his thumb against my heart and she sputters a little blood over him. i wait while his lips teasingly sweep mine and do nothing more than that. i wait while my knees dig into his thighs and i feel so heavy that i could fall through the earth, yet i feel so light that i could also float out of this room if he were to let go of me. i wait and i wait because i’ve become so good at waiting my whole life that, even as my eyes begin to flutter and a headlessness takes over, i am still waiting. 

this is when he finally loosens his grip on my heart.

this is when he finally kisses me.

i open my mouth and inhale.

Nikki’s Pyre

July is a surrealist prototype of reality. From the moment I wake up, I live my life for someone else — someone who doesn’t even recognize me some days. But that’s okay because this is July and July is not real.

The walls in my grandma’s living room warp. There are pictures of me from when I was three and eight and some years in-between. Happy, silly smiles and bashful, guarded smiles. I push up one picture frame and press my index finger against the wall behind it. Rings of ripples spread outward. My finger falls in. I push my arm through the wall and then my whole body and now I’m walking on the waterfront towards the Verrazano bridge and where did the time go? Who am I now?

I go for several-hour walks in the heat, pass underneath mulberry trees by the highway, linger by arched two-sided stairs and algae-d rocks that smell of sharp salt and putrid waste. The river is scintillating, a thousand-crystal glimmering slope of blue curves, and the sun is a popping yellow gumball; a prickly fog covers the sun and the space beneath the Verrazano bridge, and all of this is beautiful and yet I am still not present. I’m still writing this in my head, documenting my life as it’s happening. I am a balancing act, on the verge of unraveling as I’m putting all my pieces back together. When do I get to be whole? The extremes are far more subdued these days compared to a year ago, but they’re still extremes. I’m still trying to find the middle. I’m still trying to find my presence in the present. 

There is no permanence to my days. Only my body stays, that and the concept of my existence and my very existence itself; otherwise, my mind changes, my reality changes, and so do all of you. Everything is in flux. 

My summer is an evasive firefly; here one second, flickering out of sight the next. I’ve seen a handful of fireflies this summer, but none have let me catch them and then set them free. I was so close to catching two, too. But they slipped out of my grasp just as my fingers clamped down against the base of my palm to hold them in. I think they know something about me. I think something about me has changed. 

A lot has. 

This past week, butterflies started following me. Small white ones with spotted black wings fluttered by, guiding me toward an unknowable future. My butterfly spine is still intact, hidden tight below my human back, waiting for the right moment to open up. Not now, though. But soon (I hope). 

I can’t tell you what is happening because I don’t know. I’m living in a nonsensical life. My life is happening outside of me — and without me. I’ll start doing something, like taking the elevator down, and then thirty seconds later when I come back into my body I am disoriented. Where did I go? How did that happen? I’m existing right now. This is peculiar. Jarring. Is this what everyone else feels like? I’m not disassociating anymore, yet I am doing something akin to that but not that. It’s like I’m learning what it’s like to be in my body by leaving it, letting my body change on its own, then coming back into it and adjusting to the change but how can I adjust to a new body when I’ve been my own body for twenty-six years. That doesn’t make sense to you, does it? I’ll figure this out.

For several days, I had tar-covered hands; my sticky fingers got stuck to hefty garbage bags that were filled to the brim with canned goods and smelly aged papers that had my grandma’s cursive writings littered across them. Handsome garbage men named Michael — with a stolid gait, a reliable smile, and a straight friendliness — reassured me that it was okay to throw these heavy bags down the garbage chute, that I wouldn’t break it. But I still worried that I would. “I don’t want to cause any problems,” I told him. “It’s 20 gauge, don’t worry,” he told me. I didn’t know what that meant but I nodded. He appreciated my concern. His reassurance soothed me. This was a bright spot in my day.

In the laundry room in my grandma’s building, I met a 69-year-old woman named Annie with grey hair styled into a larger-than-life pixie cut; “I’m so happy to see you,” she told me. “You’re beautiful.” 

She unwinded her life story. Her childhood in Taiwan. Washing clothes outside in the cold. Her 33-year-old son. Her numerous (was it 5?) brothers and sisters. Her husband who passed (or did he?). Sadness, death, and sorrow rippled across every thread she laid bare, but she had the sweetest light in her face and voice. I kept pointing it out to her and she kept complimenting me instead. “You’re very beautiful; you’re very sweet.” We were playing on a seesaw of compliments. She was so happy to see me. 

Last week, I took a cab to my grandma’s building. I never got the driver’s name but we talked about kids and having kids. He was 55 and already had two grandchildren. His daughter was born when he was twenty-one. My body shirked at the thought. He asked me if I wanted any kids. I told him no, but it was a wavering no. He was surprised. 

I told him: I’ve been sick my whole life; I don’t want to spend a year being pregnant; I have control issues; I care too much, I’ll lose my mind; people have an idealized version of the kids they’ll have, but it doesn’t mean they’ll get that; it’s too much chance. I am selfish.

Oh! He liked that answer. That’s it! Selfishness. Egoism. Ego. 

As I walked towards my grandma’s building, he remarked that he really enjoyed our conversation. I smiled. Me too, I told him.

This keeps happening. I keep having conversations with people I will never see again. But I have these little bridges, these little pockets of happiness I get to carry with me while everything else falls apart. While everything else is not real. I stick my hands into these pockets every day. They’re the only consistency I have when everything’s in flux. When everything is not real.

There’s something happening behind me. I can’t smell it, I can’t hear it, but I can feel it. There’s something behind me and I wonder if it’s my life happening outside of me. But that can’t be it when my life is also happening in front of me. Either way, my life is still not happening through me. I am still a gap in the in-between. 

My grandma doesn’t remember me some days. But that’s okay because neither do I.

aftertaste

The cold brushstrokes of April’s currents wait to tug me back into a past that I no longer know. Previous April’s rest on top of my tongue like a thin sheen of saltwater, but it’s an aftertaste that’s been fading with each passing day — and in its place is the hint of something new, light, joyous, delicately and complexly sweet. 

I am peeling back all my layers to reveal the thumping sanguine nature of mine that’s always been at the heart of who I am. I am rambunctious! I am deeply excitable! I am a child! I am, I am, I am!

But the goodness, it’s taking its time settling into my bones, and I worry that this may all be too good to be true. I worry that one day I’m going to wake up and find out that this was all a dream, that I entered a new reality I was only ever allowed to get a taste of and not stay a lifetime in.

I wiggle my right ankle out of a potential grasp looking to pull me under the waves again. A part of me wants to be pulled under, with air bubbles floating out of my nose and mouth, eyes fluttering shut, body going limp. I want to be carried into the deep, dark cold ocean and come alive in my previous form.

I used to be a mermaid. My grandma said so herself every time my head popped above the surface: rusalka. You couldn’t get me out of the water, maybe because I felt so free in it. Even when I was nothing but pruned fingers, chattering teeth, and indigo lips, I still wanted to stay. I was constantly diving under, water rushing past my face, thin light lines crackling through the surface, trying to reach me, trying to pull me back up and out, but I didn’t want to go with them. I liked living below the surface where everything was so still, so straightforward. I liked the way the cold water wrapped itself around my body and then plunged into my skin, creating a new layer around me at the edges of my body. It was a shock to my system every time it happened. 

But I can’t go back to who I used to be; she no longer exists. So I rise and the ocean sinks below me; its teardrops slink down my skin, along the curves of my body, and pool in the dips and hollows of my scars. Honeyed hair — straw-like strands salted by the sea — flattens against my neck. 

I leave footprints in the cushiony, beige sand that fade as the waves slink over them — memories of me disappearing as I go. It’s much like my pasts that I keep revisiting and erasing. I am no longer bound to what used to be. It no longer exists. 

I’ve always been a wobbly question mark for people when I wish I had been a definitive period. But now, I imagine, I’m becoming something more perceptible, more indomitably integrated, to those around me — because inside of me I am becoming more me than I have ever been and I think that others can feel that, too. But at the same time, I like being unknowable. I like floating in no man’s land like a shapeless shapeshifter, giving away pieces of me that evaporate before those pieces can even have a chance to dissolve into people’s bodies. The more people think they know me, the more I don’t want them to. Because just when I think I know me, I don’t — and I don’t want anyone else to have the upper hand on me.

I shake my body like a wet dog, sending all my water onto the sand, staining it. I turn to look at the shore. The waves are so small, so modest in the way they kiss the sand before retreating as if they don’t want to disturb the sand, or let on how much they love her. But they love her, so much so, really. A tiny peck and another tiny peck and another tiny peck and nothing more. You’re telling me that’s not love? (I cannot show all of my love because what if it scares him away?) (What if it doesn’t?)

There’s a hunger stored in my shoulders for the fifteen-foot-tall waves of the past. When I was a little girl, I used to come to the beach with my family, and on particularly stormy days, Brighton Beach would see some massive waves, the likes of which I have never seen since those summers in the mid-to-late 2000s. I would forget about everything, leave my family behind on the sand, and run into the water, timing it so that as the wave peaked at the top, like a monstrous beast looking to make its descent and capture its pray in its foamy hands, I would jump into its body and come out on the other side with a big smile on my face, feeling vindicated. Victorious. 

I laugh at these thoughts because old parts of me really do die hard. Or, maybe these aren’t even parts of me but actually me: someone always looking for a brief thrill, a chance to feel even more alive. 

I put on my t-shirt, my skort, and my black cap. I push my head through the racquet case strap and hang my racquet against my back, the bag’s strap crisscrossing my chest. I walk towards the boardwalk where I sit down on a bird poop-covered bench (the mostly clean part of it) and put on my socks and my pink-and-blue tennis sneakers. My clothes cling to my bare body like a second skin, a uniform. I have been given a formidable armor. (I am four years old again and I am going to tennis lessons for the first time.)

Spring with her airy touch is filtering out broken promises, revealing the veracity beneath them. I see everything so much more clearly now, including myself. The memories that used to take up multiple floors in my body have been cleaned out. And while a trace of them still burdens me, I know that in a few months I’ll barely remember them. 

With all this fresh space, I’ve started cultivating a big garden in my body, and within it, a massive flower has started blooming up and out of my mouth (a hot pink pistil with white petals). Its stems have snaked up my face and wrapped themselves around my head several times over. They tighten themselves, tighter and tighter and tighter until my brain starts leaking all my memories down my nostrils. The liquid memories dribble across my lips, down my chin, into my palms, and I can taste the sweetest ones on my tongue, saving those for keeps.  

I walk across the boardwalk to the handball courts near Luna Park. I skip down the ramp and loop around the walkway until I get to the lone wall that lives several feet in front of the men’s bathroom (I’ll end up, accidentally, sending two tennis balls in that direction). There’s a single tennis ball sleeping on the forest-green bench, a nice gesture left behind by a stranger. 

It’s an unusually warm morning. I throw up the ball softly in front of me and hit it against the wall. Smooth. It comes flying back at me and I hit it again. 

I whisper when I play. I look like I’m mumbling incantations, bewitching the ball to go where I need it to go. There’s still so much weight I carry. I’m not as light on my feet as I’d like to be. I can’t chase down balls as well as I used to. But that’s alright. It just means that I have room to grow, to come back into myself better and stronger.

The ball crashes into my strings and rebounds, flying towards the wall again. I need this to go faster, I need this to go faster. Several feet above on the boardwalk, people are watching me, the girl crushing the ball against a wall, faster and faster, at breakneck speed, the loud thud of the ball against the wall, the ___ of the ball against my strings. I am the center of their galaxy for a moment, and I must impress. I must show them I am capable of talent. 

There’s not a lot of aggression in me anymore, but I still have that itch to crush something, to fight something, to crash my fist against the wall (but only in my head). I’m precariously inching back towards my boyish frame, but until I get there, I’m holding all my remaining weight in my fists and in my chest as if I still carry an unfulfilled desire to crush men beneath my body (I know I do). When I was a little girl, I was unbeatable, shattering boy’s hands, arms, and legs without ever touching them. It was one of the few sources of power I had. No surprise then that I don’t want to let it go.

But, I think I’m ready to give up these hypothetical fights. They, too, fade away with each passing day, as does my desire for them. If I’m always looking for a fight then that’s all I’ll get. And I no longer have any interest in revenge, in settling the score. I want to move on. I am moving on. I’ve transformed my rage into laughter. I’ve transformed into something more nimble, sprite-like. I’ve transformed. I am transforming.